Paradise Lost and Paradise Regained, by John Milton
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Paradise Lost and Paradise Regained, by John Milton
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In Paradise Lost Milton tells the story of the fall of man, which encompasses a battle that rages across Heaven between God and Satan. Here are passion and innocence, victory and defeat, hope and despair. This is without a doubt the greatest epic poem ever written in the English language. Paradise Regained is often thought of as the companion to Milton's Epic Paradise Lost. Here Milton tells the full story of Christ's forty days' temptation in the desert with Satan. The detail and emotional impact are stunning. A book for the ages.
Paradise Lost and Paradise Regained, by John Milton- Amazon Sales Rank: #698406 in eBooks
- Published on: 2015-06-10
- Released on: 2015-06-10
- Format: Kindle eBook
Review "Offers an intensely filmic description of the events that countless artists have sought to visualise"
About the Author John Milton, English scholar and classical poet, is one of the major figures of Western literature. He was born in 1608 into a prosperous London family. By the age of 17, he was proficient in Latin, Greek, and Hebrew. Milton attended Cambridge University, earning a B.A. and an M.A. before secluding himself for five years to read, write and study on his own. It is believed that Milton read evertything that had been published in Latin, Greek, and English. He was considered one of the most educated men of his time. Milton also had a reputation as a radical. After his own wife left him early in their marriage, Milton published an unpopular treatise supporting divorce in the case of incompatibility. Milton was also a vocal supporter of Oliver Cromwell and worked for him. Milton's first work, Lycidas, an elegy on the death of a classmate, was published in 1632, and he had numerous works published in the ensuing years, including Pastoral and Areopagitica. His Christian epic poem, Paradise Lost, which traced humanity's fall from divine grace, appeared in 1667, assuring his place as one of the finest non-dramatic poet of the Renaissance Age. Milton went blind at the age of 43 from the incredible strain he placed on his eyes. Amazingly, Paradise Lost and his other major works, Paradise Regained and Samson Agonistes, were composed after the lost of his sight. These major works were painstakingly and slowly dictated to secretaries. John Milton died in 1674.
From AudioFile PARADISE REGAINED is concerned with the devil's temptation of Christ in the wilderness. It's a substantial subject; nonetheless, the work is often seen by critics as a coda to Milton's masterwork, PARADISE LOST. Anton Lesser, a longtime member of the Royal Shakespeare Company, takes us inside Milton's seventeenth-century blank verse with remarkable clarity and emotion. One can almost hear Milton grappling with the English Civil War, the Reformation, and his personal quest to express Christ's divinity through heightened yet comparatively modest phrases. Lesser's voice is completely at one with Milton's subject matter, meter, and language. After three centuries, this work is much more accessible than one might think. B.P. © AudioFile 2006, Portland, Maine-- Copyright © AudioFile, Portland, Maine
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253 of 261 people found the following review helpful. Greatest Epic Poem in English, Norton Edition is Outstanding By Michael Wischmeyer Paradise Lost was not part of my core curriculum in science and mathematics. I was of course aware that scholars considered it a great work, a classic. But it seemed a bit daunting - long, difficult, dated, and possibly no longer relevant.A few years ago I made two fortunate decisions. I elected to read Milton's Paradise Lost and I bought the Norton Critical Edition (edited by Scott Elledge). I read and reread Paradise Lost over a period of three months as well as the 300 pages of the Norton critical commentary. I was stunned by the beauty and power of Milton. Why had I waited so long to even approach such a literary masterpiece?Make no mistake. I had been right in several ways. Paradise Lost is difficult, it is long, and full appreciation requires an understanding of the historical and religious context. But Paradise Lost is a remarkable achievement. It explores questions regarding man and God that are as relevant today as in the 17th century. And the genius of Milton has never been surpassed.I found the Norton footnotes extremely helpful - definitions for rare or archaic words and expressions, explanations of the historical context, and links to the critical commentary section. The footnotes are at the page bottom, making them readily accessible.The Norton biographical, historical, and literary commentaries were fascinating in their own right. I may well as spent as many hours reading commentary as with Paradise Lost itself.John Milton led a remarkable life. His enthusiastic euology on Shakespeare was included in the second folio edition of Shakespeare in 1632. This was Milton's first public appearance as an author! While traveling as a young man he "found and visited" the great Galileo, old and blind, a house prisoner of the Inquisition for his astronomical heresy. Years later Milton, a close supporter of Cromwell, barely escaped the scaffold at the Restoration and was at risk for some period afterwards. Many considered Milton no more than an outcast, now old and blind himself, a republican and regicide who had escaped death by too much clemency. Within a few years this aging blind outcast created one of the masterpieces of the English language.Milton broke all English tradition by writing Paradise Lost in blank verse. Homer in Greek and Vergil in Latin had used blank verse, but English demanded rhyme. Although others failed to imitate Milton's blank verse (I suspect that none wanted to be compared directly with genius), the praise was without exception. Dryden, a master of rhyme, is attributed with saying, "This man cuts us all out, and the ancients too".Milton's characterization of Satan, Adam, Eve, the archangels Raphael, Michael, and Gabriel, and even God himself are masterful. The debates and arguments that evolve around free will, obedience, forbidden knowledge, love, evil, and guilt are timeless. And fascinating. And thought provoking.Paradise Lost will require commitment and patience and thought. The commitment in time is substantial. (I enjoy Samuel Johnson's subtle comment: "None ever wished it longer than it is.") But the return is a personal experience with great literature, one of the masterpieces of the English language. I consider myself fortunate to have made such an investment.
173 of 181 people found the following review helpful. Possibly the Best Edition Out There By Nick I have read "Paradise Lost" four times, and took no less than three semesters on it at university. This was the edition we used to work. Modernised spelling, coherent punctuation (plus variations of it in the notes), good introduction, and enormous work in the notes; this edition has all you need for a good reading of the epic poem.As to the poem itself, some people are hard on it for all the wrong reasons. Remember that it is a 17th century poem, that English was not exactly similar as it is today, and that there are many, many words which were first used in English in "Paradise Lost". Milton was innovative with words, and he gave English new words, and expressions, such as the most famous "all Hell broke loose", which was first uttered in "Paradise Lost".A poem like this cannot be read without good notes, and this is what this edition has to offer. Notes aren't enough, though, they have to be good, and in this edition, they are. The poem itself is not burdened by the numbers of the notes, because there are so many, the editor decided not to show them in the text per se, but at the end of the book, you will always have the reference, the lines, which the notes are about.As to the poem itself, if you don't know it, you certainly know of the story of the Fall of Man, Adam and Eve, and the rebellion of Satan in Heaven. I'll only say that Milton's God is one seriously problematic figure in the poem, and that it caused centuries of academic discussion as to whether Milton's God is a good God or a devilish one, whether "Paradise Lost" was truly a "myth", in the old sense of a story which explains why we're here and how it got to be, or whether it was an attack on Christianity. Scholars still discuss this today, so make your own mind if you can!
73 of 75 people found the following review helpful. An excellently annotated version By Shane Cappuccio When John Milton set out to write Paradise Lost, he had every intention of writing a masterpiece of the English language. He felt he was destined for greatness, and his creation does not disappoint. With over 9000 lines of some of the greatest poetry every written, Milton does an incredible job of using classical and biblical allusions within a classical format to create a surprisingly modern and incredibly poignant look at the nature of God and man. Add on to this the fact that he was blind when he composed it, and you cannot call PL anything less than a work of genius.What separates this version from all the others available? The incredibly detailed work of the editors. The annotations of this edition are absolutely fantastic. They are plentiful (sometimes taking up as much as half a page), extremely informative, and surprisingly fun to read. Most annotated works such as this merely clarify antiquated vocabulary, but in this case the editors point out classical allusions, references to current events, and references to Milton's prose works. In addition to the prose and poetry associated with the text, the editors routinely mention the critical discourse (of which there is an unholy amount) associated with Milton. There are even moments where I laughed out loud at their comments. There is also a subtle touch to the annotations, in that there is no indication of annotations within the line. What I mean by this is that there are no bubbles or footnote marks in the body of the poem. The annotations at the bottom of the page simply point to a line number. This allows the reader to ignore the annotations if they choose to do so.Another nice characteristic of this edition is the artwork and illustrations included. There's some really fantastic stuff in there.All in all, this is an excellent edition of an excellent poem.
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